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  • Hera Büyüktaşçıyan, <I>From There We Came Out and Saw the Stars</I>, Installation at Acquedotto Augusteo del Serino, Underneath the Arches, 2018.
Photo by: Maurizio Esposito
    Hera Büyüktaşçıyan, From There We Came Out and Saw the Stars, Installation at Acquedotto Augusteo del Serino, Underneath the Arches, 2018.
    Photo by: Maurizio Esposito
  • Hera Büyüktaşçıyan, <I>From There We Came Out and Saw the Stars</I>, Installation at Acquedotto Augusteo del Serino, Underneath the Arches, 2018.
Photo by: Maurizio Esposito
    Hera Büyüktaşçıyan, From There We Came Out and Saw the Stars, Installation at Acquedotto Augusteo del Serino, Underneath the Arches, 2018.
    Photo by: Maurizio Esposito
  • Hera Büyüktaşçıyan, <I>From There We Came Out and Saw the Stars</I>, Installation at Acquedotto Augusteo del Serino, Underneath the Arches, 2018.
Photo by: Maurizio Esposito
    Hera Büyüktaşçıyan, From There We Came Out and Saw the Stars, Installation at Acquedotto Augusteo del Serino, Underneath the Arches, 2018.
    Photo by: Maurizio Esposito
  • Hera Büyüktaşçıyan, <I>From There We Came Out and Saw the Stars</I>, Installation at Acquedotto Augusteo del Serino, Underneath the Arches, 2018.
Photo by: Maurizio Esposito
    Hera Büyüktaşçıyan, From There We Came Out and Saw the Stars, Installation at Acquedotto Augusteo del Serino, Underneath the Arches, 2018.
    Photo by: Maurizio Esposito
  • Hera Büyüktaşçıyan, <i>Everflowing Pool of Nectar</i>, 2017, Chalk and graphite on paper, 1000 x 50 cm (each)
    Hera Büyüktaşçıyan, Everflowing Pool of Nectar, 2017, Chalk and graphite on paper, 1000 x 50 cm (each)
  • Hera Büyüktaşçıyan, <i>Everflowing Pool of Nectar</i>, 2017 (detail view)
    Hera Büyüktaşçıyan, Everflowing Pool of Nectar, 2017 (detail view)
  • Hera Büyüktaşçıyan, <i>Everflowing Pool of Nectar</i>, 2017 (detail view)
    Hera Büyüktaşçıyan, Everflowing Pool of Nectar, 2017 (detail view)
  • Hera Büyüktaşçıyan, <i>Chanting if I live, Forgetting it I die</i>, 2017, Kinetic sculpture: Wood and marble, 267 x 30 x 25 cm
    Hera Büyüktaşçıyan, Chanting if I live, Forgetting it I die, 2017, Kinetic sculpture: Wood and marble, 267 x 30 x 25 cm
  • Hera Büyüktaşçıyan, <i>The Relic</i>, 2016, Wood, bronze and marble mosaic, Bronze hands: 76 x 20 cm (each); Wooden blocks: 17 x 7 x 5 cm (each)
    Hera Büyüktaşçıyan, The Relic, 2016, Wood, bronze and marble mosaic, Bronze hands: 76 x 20 cm (each); Wooden blocks: 17 x 7 x 5 cm (each)
  • Hera Büyüktaşçıyan, <i>The Relic</i>, 2016 (detail view)
    Hera Büyüktaşçıyan, The Relic, 2016 (detail view)
  • Hera Büyüktaşçıyan, <i>The Discovery of 36 Wells</i>, 2016, Pencil and watercolor on paper, 27 x 35 cm (each)
    Hera Büyüktaşçıyan, The Discovery of 36 Wells, 2016, Pencil and watercolor on paper, 27 x 35 cm (each)
  • Hera Büyüktaşçıyan, <i>An Icon of a Marble King I</i>, 2016, Wood and marble, 17 x 37 x 8 cm
    Hera Büyüktaşçıyan, An Icon of a Marble King I, 2016, Wood and marble, 17 x 37 x 8 cm
  • Hera Büyüktaşçıyan, <i>Write Injuries on Sand and Kindness in Marble</i>, 2017, Installation View at Green Art Gallery, Dubai
    Hera Büyüktaşçıyan, Write Injuries on Sand and Kindness in Marble, 2017, Installation View at Green Art Gallery, Dubai
  • Hera Büyüktaşçıyan, <i>Icons for builders</i>, 2017, Wood and marble, 26.3 x 20 cm
    Hera Büyüktaşçıyan, Icons for builders, 2017, Wood and marble, 26.3 x 20 cm
  • Hera Büyüktaşçıyan, <i>Icons for builders</i>, 2017, Wood and marble, 26.3 x 20 cm
    Hera Büyüktaşçıyan, Icons for builders, 2017, Wood and marble, 26.3 x 20 cm
  • Hera Büyüktaşçıyan, <i>Echo</i>, 2016, site specific sculpture, Collezione Gori
    Hera Büyüktaşçıyan, Echo, 2016, site specific sculpture, Collezione Gori
  • Hera Büyüktaşçıyan, <i>Freely You have Received, Freely Give</i>, 2016, ceramic, acrylic, wood, Kızılçukur Valley, Cappadocia
    Hera Büyüktaşçıyan, Freely You have Received, Freely Give, 2016, ceramic, acrylic, wood, Kızılçukur Valley, Cappadocia
  • Hera Büyüktaşçıyan, <i>Freely You have Received, Freely Give</i>, Detail View
    Hera Büyüktaşçıyan, Freely You have Received, Freely Give, Detail View
  • Hera Büyüktaşçıyan, <i>Every tide has its ebb</i>, 2016, Site specific installation, bricks, wooden beams
    Hera Büyüktaşçıyan, Every tide has its ebb, 2016, Site specific installation, bricks, wooden beams
  • Hera Büyüktaşçıyan, <i>Rising...a small height from the ground</i>, 2016, 28m site specific installation, Küçükyalı Arkeopark 
    Hera Büyüktaşçıyan, Rising...a small height from the ground, 2016, 28m site specific installation, Küçükyalı Arkeopark 
  • Hera Büyüktaşçıyan, <i>The book of all songs, the song of all books</i>, 2016,
Dimensions variable, mixed media on paper, wood
Installation view at Heidlelberger Kunstverein 
Photograph: Jesper Kettner
    Hera Büyüktaşçıyan, The book of all songs, the song of all books, 2016,
    Dimensions variable, mixed media on paper, wood
    Installation view at Heidlelberger Kunstverein 
    Photograph: Jesper Kettner
  • Hera Büyüktaşçıyan, <i>The book of all songs, the song of all books</i>, 2016,
Dimensions variable, mixed media on paper, wood
Installation view at Heidlelberger Kunstverein 
Photograph: Jesper Kettner
    Hera Büyüktaşçıyan, The book of all songs, the song of all books, 2016,
    Dimensions variable, mixed media on paper, wood
    Installation view at Heidlelberger Kunstverein 
    Photograph: Jesper Kettner
  • Hera Büyüktaşçıyan, <i>When things find their own cleft</i>, 2016, red bricks, Installation view at ALT Bomonti, Istanbul, Turkey
    Hera Büyüktaşçıyan, When things find their own cleft, 2016, red bricks, Installation view at ALT Bomonti, Istanbul, Turkey
  • Hera Büyüktaşçıyan, <i>Falling Waters</i>, 2015, 20m blue velvet
Installation view at Art International, Istanbul
Photograph: HoneyBunn
    Hera Büyüktaşçıyan, Falling Waters, 2015, 20m blue velvet
    Installation view at Art International, Istanbul
    Photograph: HoneyBunn
  • Hera Büyüktaşçıyan, <i>From the Island of the day before</i>, 2015, 668 covered notebooks and drawings
Installation view at Saltwater, Istanbul Biennial, Istanbul 
Photograph: Sahir Uğur Eren
    Hera Büyüktaşçıyan, From the Island of the day before, 2015, 668 covered notebooks and drawings
    Installation view at Saltwater, Istanbul Biennial, Istanbul
    Photograph: Sahir Uğur Eren
  • Hera Büyüktaşçıyan, <i>From the Island of the day before</i>, 2015, 668 covered notebooks and drawings
Installation view at Saltwater, Istanbul Biennial, Istanbul 
Photograph: Sahir Uğur Eren
    Hera Büyüktaşçıyan, From the Island of the day before, 2015, 668 covered notebooks and drawings
    Installation view at Saltwater, Istanbul Biennial, Istanbul
    Photograph: Sahir Uğur Eren
  • Hera Büyüktaşçıyan, <i>Blind Topographia</i>, 2015, Mixed media
Exhibition view at DEPO, Istanbul
Photograph: Pınar Gediközer
    Hera Büyüktaşçıyan, Blind Topographia, 2015, Mixed media
    Exhibition view at DEPO, Istanbul
    Photograph: Pınar Gediközer
  • Hera Büyüktaşçıyan, <i>Blind Topographia</i>, 2015, Mixed media (detail)
Exhibition view at DEPO, Istanbul
Photograph: Pınar Gediközer
    Hera Büyüktaşçıyan, Blind Topographia, 2015, Mixed media (detail)
    Exhibition view at DEPO, Istanbul
    Photograph: Pınar Gediközer
  • Hera Büyüktaşçıyan, <i>Blind Chronicles XIV</i>, 2015, print, pencil, red wax crayon on paper, 100 x 37.5 cm
    Hera Büyüktaşçıyan, Blind Chronicles XIV, 2015, print, pencil, red wax crayon on paper, 100 x 37.5 cm
  • Hera Büyüktaşçıyan, <i>Blind Chronicles XV</i>, 2015, print, pencil, red wax crayon on paper, 100 x 37.5 cm
    Hera Büyüktaşçıyan, Blind Chronicles XV, 2015, print, pencil, red wax crayon on paper, 100 x 37.5 cm
  • Hera Büyüktaşçıyan, <i>The Stranger in my Throat</i>, 2015
Installation view at Art ON Gallery, Istanbul
    Hera Büyüktaşçıyan, The Stranger in my Throat, 2015
    Installation view at Art ON Gallery, Istanbul
  • Hera Büyüktaşçıyan, <i>Letters from Lost Paradise</i>, 2015, mechanism, wood, bronze
Installation view at the 56th Venice Biennale, National Pavilion of Republic of Armenia
Photograph: Piero Demo
    Hera Büyüktaşçıyan, Letters from Lost Paradise, 2015, mechanism, wood, bronze
    Installation view at the 56th Venice Biennale, National Pavilion of Republic of Armenia
    Photograph: Piero Demo
  • Hera Büyüktaşçıyan, <i>Letters from Lost Paradise</i>, 2015, mechanism, wood, bronze (detail)
Installation view at the 56th Venice Biennale, National Pavilion of Republic of Armenia
Photo credit: Halil Altındere
    Hera Büyüktaşçıyan, Letters from Lost Paradise, 2015, mechanism, wood, bronze (detail)
    Installation view at the 56th Venice Biennale, National Pavilion of Republic of Armenia
    Photo credit: Halil Altındere
  • Hera Büyüktaşçıyan, <i>The Keepers</i>, 2015, wax, bronze (detail)
Installation view at the 56th Venice Biennale, National Pavilion of Republic of Armenia
Photograph: Piero Demo
    Hera Büyüktaşçıyan, The Keepers, 2015, wax, bronze (detail)
    Installation view at the 56th Venice Biennale, National Pavilion of Republic of Armenia
    Photograph: Piero Demo
  • Hera Büyüktaşçıyan, <i>The recovery of an early water drawings</i>, 2014, print, pen on paper, 21.5 x 35.5 cm
    Hera Büyüktaşçıyan, The recovery of an early water drawings, 2014, print, pen on paper, 21.5 x 35.5 cm
  • Hera Büyüktaşçıyan, <i>The recovery of an early water drawings</i>, 2014, print, pen on paper, 21.5 x 35.5 cm
    Hera Büyüktaşçıyan, The recovery of an early water drawings, 2014, print, pen on paper, 21.5 x 35.5 cm
  • Hera Büyüktaşçıyan, <i>Tetraplegia</i>, 2014, found stereoscope, bronze and wood, 75 x 145 x 75 cm. Installation view at Art Dubai 2016
    Hera Büyüktaşçıyan, Tetraplegia, 2014, found stereoscope, bronze and wood, 75 x 145 x 75 cm. Installation view at Art Dubai 2016
  • Hera Büyüktaşçıyan, <i>Dock</i>, 2014, found wooden furniture, plank, magnet , engine driven mechanism two parts: part 1, 225 x 100 x 25 cm / part 2, 195 x 100 x 25 cm
Photograph: Ali Yavuz Ata
    Hera Büyüktaşçıyan, Dock, 2014, found wooden furniture, plank, magnet , engine driven mechanism two parts: part 1, 225 x 100 x 25 cm / part 2, 195 x 100 x 25 cm
    Photograph: Ali Yavuz Ata
  • Hera Büyüktaşçıyan, <i>Studies for Elevation</i>, 2013, wooden shelf, paint, 9 drawings on paper, 9 x 12 cm each
Exhibition view Galeri Mana, İstanul. Photo credit: Ali Yavuz Ata
    Hera Büyüktaşçıyan, Studies for Elevation, 2013, wooden shelf, paint, 9 drawings on paper, 9 x 12 cm each
    Exhibition view Galeri Mana, İstanul. Photo credit: Ali Yavuz Ata
  • Hera Büyüktaşçıyan, <i>Panarchia</i>, 2012-2014, Installation, Gilded gold on 200 porcelain eggs, stone (detail)
Exhibition view Galeri Mana, Istanbul. Photo credit: Ali Yavuz Ata
    Hera Büyüktaşçıyan, Panarchia, 2012-2014, Installation, Gilded gold on 200 porcelain eggs, stone (detail)
    Exhibition view Galeri Mana, Istanbul. Photo credit: Ali Yavuz Ata
  • Hera Büyüktaşçıyan, <i>The Missing Cuckoo</i>, 2013, Wooden cuckoo clock and 50 handkerchiefs
Installation view at ARTER, İstanbul. Photo credit: Hadiye Cangökçe
    Hera Büyüktaşçıyan, The Missing Cuckoo, 2013, Wooden cuckoo clock and 50 handkerchiefs
    Installation view at ARTER, İstanbul. Photo credit: Hadiye Cangökçe
  • Hera Büyüktaşçıyan, <i>Somewhere in the Middle</i>, 2013, bronze, wood, wooden tables
Installation view at ARTER, Istanbul
    Hera Büyüktaşçıyan, Somewhere in the Middle, 2013, bronze, wood, wooden tables
    Installation view at ARTER, Istanbul
  • Hera Büyüktaşçıyan, <i>In Situ</i>, 2013, 2000 blocks of soap, blue vynil
Installation view at PiST///, Istanbul. Photo credit: PiST///
    Hera Büyüktaşçıyan, In Situ, 2013, 2000 blocks of soap, blue vynil
    Installation view at PiST///, Istanbul. Photo credit: PiST///
  • Hera Büyüktaşçıyan, <i>In Situ</i>, 2013, 4000 blocks of soap, blue vynil (detail)
Installation view at PiST///, Istanbul. Photo credit: PiST///
    Hera Büyüktaşçıyan, In Situ, 2013, 4000 blocks of soap, blue vynil (detail)
    Installation view at PiST///, Istanbul. Photo credit: PiST///
  • Hera Büyüktaşçıyan, <i>It takes a few more buckets of water to turn the mill</i>, 2012, Coins from different currencies and water
Installation view at Galeri Mana, Istanbul. Photo credit: Coşkun Aşar
    Hera Büyüktaşçıyan, It takes a few more buckets of water to turn the mill, 2012, Coins from different currencies and water
    Installation view at Galeri Mana, Istanbul. Photo credit: Coşkun Aşar
  • Hera Büyüktaşçıyan, <i>Looking for Somewhere to Land. Room III: I Land</i>, 2012, Video Installation
Exhibition view at Slakthusateljeerna, Stockholm
    Hera Büyüktaşçıyan, Looking for Somewhere to Land. Room III: I Land, 2012, Video Installation
    Exhibition view at Slakthusateljeerna, Stockholm
  • Hera Büyüktaşçıyan, <i>Deep Inside</i>, 2012, Interactive wall drawing
Installation view at Weltraum, Munich
    Hera Büyüktaşçıyan, Deep Inside, 2012, Interactive wall drawing
    Installation view at Weltraum, Munich
  • Hera Büyüktaşçıyan, <i>Changeables & Transformables</i>, 2009, 15m machine made carpet
Installation view at Nakkas Cistern, Istanbul
    Hera Büyüktaşçıyan, Changeables & Transformables, 2009, 15m machine made carpet
    Installation view at Nakkas Cistern, Istanbul
  • Hera Büyüktaşçıyan, <i>Changeables & Transformables</i>, 2009, 15m machine made carpet (detail)
Installation view at Nakkas Cistern, Istanbul
    Hera Büyüktaşçıyan, Changeables & Transformables, 2009, 15m machine made carpet (detail)
    Installation view at Nakkas Cistern, Istanbul