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Shadi Habib Allah, Installation view at Tamawuj, Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj

Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj, Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj

Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj, Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj

Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj, Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj

Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj, Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj

Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj, Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj

Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj, Sharjah Biennial 13, Sharjah, UAE, 2017

Shadi Habib Allah, Installation view at Tamawuj

Sharjah Biennial 13, Sharjah, UAE, 2017

Press Release

Curated by Christine Tohme, Sharjah Biennial 13, Tamawuj unfolds in five parts from October 2016 through October 2017. Featuring over fifty international artists, the biennial encompasses exhibitions and a public programme in two acts in Sharjah and Beirut; a year-long education programme in Sharjah; projects in Dakar, Ramallah, Istanbul and Beirut; and an online publishing platform.

Tamawuj, a noun in Arabic which is defined as a rising and falling in waves, but also a flowing, swelling, surging, fluctuation or a wavy undulating appearance outline or form, is reflective of SB13’s aims to cultivate collaborations, infrastructures and strategies within Sharjah and the project localities. The Biennial poses questions around, and proposes answers to the conditions for the possibility of an art world. In a region currently being invested with larger institutions and lesser infrastructures, SB13 will cross from the ideal to the material. Vital interventions will stretch the idea of the biennial in order to traverse rooted contexts, harnessing the agility and fragility of present informal networks.

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